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Winter: A Novel (Seasonal Quartet), by Ali Smith
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Review
“Smith’s brilliant, breathtakingly immediate sequence . . . crackles with energy, curiosity, and mischief. . . .Even in the darkest periods, tendrils of life still strive toward the light. . . . Its creator wants to remind us that the pendulum can swing back and that one day the sun will return.”—Laura Miller, Slate “[A] moving mixture of the fantastical and the allegorical . . . Topical, sweet-natured, something fun to be inside.”—James Wood, The New Yorker “Extremely funny and seriously angry and experimental and heartbreaking, but never sentimental . . . In Winter, the light inside this great novelist’s gorgeous snow globe is utterly original, and it definitely illuminates.”—Meg Wolitzer, The New York Times Book Review “It is not necessary to read Smith’s Autumn before her Winter; while the two books share a philosophical style and a playfulness with words, they don’t concern the same cast. . . . Winter pays frequent homage to A Christmas Carol. . . . [Smith] spins a fine story. . . . Winter is a stunning meditation on a complex, emotional moment in history.—Sarah Begley, TIME “Ali Smith is flat-out brilliant, and she's on fire these days. . . . [Winter] demonstrates yet again Smith's skill at revealing surprising relationships between seemingly disparate narrative threads. . . . You can trust Smith to snow us once again with her uncanny ability to combine brainy playfulness with depth, topicality with timelessness, and complexity with accessibility while delivering an impassioned defense of human decency and art. . . . Once again Smith has balanced darkness with light, bleakness with hope. —Heller McAlpin, NPR“Smith has conjured a kind of dream England in Winter an insubordinate folk tale . . . [and Smith] succeeds, jubilantly. . . . There are few writers on the world stage who are producing fiction this offbeat and alluring.” —Dwight Garner, The New York Times “Ali Smith’s virtuosic Winter is to pay attention to the world we’ve recently been living in. . . . Smith gives us a potent, necessary source of sustenance that speaks directly to our age. . . . The profound pleasure of these books is their near miracle. . . . [I]n the midst of Winter, each page touched with human grace, you might just begin to believe.”—Laura Collins-Hughes, The Boston Globe “[Smith is] a really fearless novelist. . . . Her work is as alive as a fish on the end of a line. . . consistently breathtaking.″—Charles Finch, Chicago Tribune “Stunning prose. . . . often funny, sometimes wistful. . . . A sprightly, digressive, intriguing fandango on life and time.”—Kirkus Reviews (starred)“This second installment in Smith’s seasonal quartet combines captivating storytelling with a timely focus on social issues. Enthusiastically recommended; we’re now eagerly awaiting Spring.”—Library Journal (starred review) “[A] seasonal quartet through which British novelist Ali Smith is writing a classic, one mind-blowing installment at a time. . . . The stunningly original Smith again breaks every conceivable narrative rule. . . .It demands and richly rewards close attention. . . .—Mike Fischer, Milwaukee Journal Sentinel “The second in Smith’s quartet of seasonal novels displays her mastery at weaving allusive magic into the tragicomedies of British people and politics. . . . A bleak, beautiful tale greater than the sum of its references.”—Boris Kachka, VultureINTERNATIONAL ACCLAIM:“A capacious, generous shapeshifter of a novel . . . [A] book with Christmas at its heart, in all its familiarity and estrangement: about time, and out of time, like the festival itself.” —The Guardian (The Best Fiction of 2017) “[There are] glimmers of life, laughter and love. . . . Smith threads passages of delicately observed natural beauty throughout the ephemera. She often lets the language itself lead her (hence her love of puns), and the intricate narrative rolls back and forth smoothly in time.”—The Times Literary Supplement (London)“Winter is typical of the Scottish writer’s heart-starting (and often heart-stopping) fiction: all spark, lark and jumper-lead, playful, witty and gloriously challenging. . . . Balancing delicious and irreverent playfulness with deep seriousness, Smith’s engineering of tone and mode is one of many facets of the novel’s appeal. —The Australian “Smith's deceptively unshowy writing evokes every shade of emotion. . . . Themes and experiences entangle, making Winter a dense, satisfying read. . . . It's to Smith's credit that Winter works on a number of levels, from a straightforward, quotidian tale about a fractured family to a deeper story packed with symbolism and highbrow literary references: a subtle meditation on loneliness, loss and aging in uncertain times.”—The Irish Independent“The novel is lucid and tightly constructed. . . . [I]ts disparate strands converge tautly to convey and deepen Smith’s powerful political message. . . . This wintry spirit of benevolence animates Smith’s vision of a world where empathy overrides divisions and where animosity can melt like snow. . . . Smith’s voice, so wise and joyful, is the perfect antidote to troubled times: raw and bitter in the face of injustice, yet always alive to hope.”—New Statesman “Smith combines her state-of-the-moment themes with a preoccupation for how to behave in a meaningful way in an increasingly technocratic world—and she does so with an effervescent seriousness none of her peers can match.”—Daily Mail “A novel of great ferocity, tenderness, righteous anger and generosity of spirit that you feel Dickens would have recognised . . . Winter is at its most luminously beautiful when the news fades and merges with recent and ancient history, a reminder that everything is cyclical. There is forgiveness here, and song, and comic resolution of sorts, but the abiding image is of the tenacity of nature and light.”—The Observer (London) “Smith has both a telescopic and a microscopic eye. . . . Her many-layered artistry softens rage or sorrow. . . If Ali Smith’s four quartets in, and about, time do not endure to rank among the most original, consoling and inspiring of artistic responses to ‘this mad and bitter mess’ of the present, then we will have plunged into an even bleaker midwinter than people often fear.”—Financial Times “One of Britain’s most important novelists . . . Winter is narrated with Smith’s customary stylistic brio . . . punctuated with clever word play . . . Heartwarming.”—The Irish Times “Smith’s prose—that trademark mischievous wit and wordplay, a joyful reminder of the most basic, elemental delights of reading—makes us see things differently . . . The entire book is testament to the miraculous powers of the creative arts . . . Winter firmly acknowledges the power of stories. Infused with some much needed humour, happiness and hope.”—The Independent (London) “Calm, cool and consoling. . . . But still a sparkler. . . . [A] novel of visions, memories and family relationships.”—The Spectator “A novel which, in its very inclusiveness, associative joy, and unrestricted movement, proposes other kinds of vision . . . [A]stonishingly fertile and free . . . [Smith] finds life stubbornly shining in the evergreens . . . told in a voice that is Dickensian in its fluency and mobile empathy . . . Leaping, laughing, sad, generous and winter-wise, this is a thing of grace.” —The Guardian “Combines comedy with social criticism, playfulness with political indictment . . . Structurally, the book is intricate: a collage of flashbacks, flash-forwards and interior monologues . . . Smith is a self-consciously aesthetic writer who also has strong political convictions.” —The Sunday Times (London)“If Ali Smith’s four quartets in, and about, time do not endure to rank among the most original, consoling and inspiring of artistic responses to 'this mad and bitter mess' of the present, then we will have plunged into an even bleaker midwinter than people often fear.” —Financial Times “Refracted through the lens of a broken family in a broken home, Smith’s vision is almost without redemption, but not quite; beneath the frozen ground, some hope exists.”—The Times (London) “a novel of great ferocity, tenderness, righteous anger and generosity of spirit . . . Winter is at its most luminously beautiful when the news fades and merges with recent and ancient history, a reminder that everything is cyclical. There is forgiveness here, and song, and comic resolution of sorts, but the abiding image is of the tenacity of nature and light.”—The Observer “(Smith) is cresting across the contemporary in a manner few novelists can manage. . . . Winter is a novel in which the cold also reveals clarity. Things crystallize. They become piercing and numbing at the same time. It is a book about being wintry in the sense of supercilious and hibernal, in its sense of wanting to shut the world out. The characters have to deal with both impulses, and deal with them in different ways. But the end result is a book that makes one think, and thinky books are rare as hen’s teeth these days.”—The Scotsman
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About the Author
ALI SMITH was born in Inverness, Scotland, in 1962 and lives in Cambridge, England. She is the author of Autumn, How to be both, There but for the, Artful, Free Love, Like, Hotel World, Other Stories and other stories, The Whole Story and other stories, The Accidental, Girl Meets Boy and The First Person and other stories. Hotel World and The Accidental were both short-listed for the Man Booker Prize and the Orange Prize. How to be both won the Baileys Women’s Prize for Fiction, the Goldsmiths Prize and the Costa Novel of the Year Award, and was short-listed for the Man Booker Prize. Autumn was short-listed for the 2017 Man Booker Prize.
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Product details
Series: Seasonal Quartet
Hardcover: 336 pages
Publisher: Pantheon (January 9, 2018)
Language: English
ISBN-10: 1101870753
ISBN-13: 978-1101870754
Product Dimensions:
5.6 x 1.3 x 8.6 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#121,181 in Books (See Top 100 in Books)
Ali Smith has a way of drawing you into her world. I always find myself lost in her novels and, when I've finished them, at a loss as to how to summarize them. This review was stretching out way too long, so I'm starting again, paring away the details that you need to discover for yourself.'Winter' is both a family drama and a commentary on the changing climate--both the physical climate and the sociopolitical one. The family: three estranged people and a lovable impostor. The commentary: our world and what it is doing to humanity. One of Smith's targets is technology and the way it removes us from real relationships, responsibility, and personal authenticity. The egotism and isolation it creates feeds into the populist movements that brought us Brexit and Donald Trump, both of which come under Smith's verbal attack. There's a moment when Art, one of the main characters, reads about a crowdfunding effort to raise money to buy a boat that will repel Italian boats trying to rescue refugees. It's hard not to see in that the support in some American quarters for building a wall on the Mexican border and deporting Dreamers to "home countries" that have never in memory been their homes. And it's no surprise that one main character, Arthur, writes a successful blog, Art in Nature--even though he is never out in nature and is rarely artful; it's all just BS for attention and self-gratification.The family story: It's almost Christmas, and Art and his fiancée Charlotte committed to spend the holiday with his mother, Sophie, in Cornwall. But there's a problem: Charlotte, an environmental activist, has called out Art for his lack of any real commitment to pro-nature causes. (There's symbolism in the fact that she destroys his laptop on her way out.) But does Art call Sophie and explain the breakup? Of course not. Instead, he hires a young Croatian girl who looks like she could use some cash to pretend to be Charlotte. Lux turns out to be the quiet hero of the novel.Sophie and Art don't get along. Sophie, a once-successful businesswoman, doesn't get along with her aging hippie sister, Iris, who is always off somewhere saving the world. And lately, Sophie has been seeing things . . . namely, the floating head of a young child. It's Lux who tells Art that he must call Iris and tell her to come at once, despite the sisters' animosity.Enough said about the plot. The novel moves back and forth among the family members and back and forth in time through their memories, yet it always comes back to the present day, asking, How did we get to this place? Full of Smith's usual wordplay, 'Winter' gives us bittersweet of the art that once was and the nature that we're losing, yet somehow we're left not so much with a sense of doom as a ray of hope. I can't describe it any better than that without giving away far too much and making it sound like something it isn't. Read it. Find out for yourself. When you're done, you'll want to read it again.
Such beautiful writing that enfolds the depth, breadth and heft of experience. It's hard to write about this stunning book because my words feel impoverished in comparison to the writing of Ali Smith. So much to love - deep and insightful charaterisations, effortless bridging of different times in a flow and sweep of prose, important questions, perspicacious observations, sympathy for flawed and difficult individuals. There's a gentle and tender view underlying it all that is nonetheless fierce and compelling. I felt completely drawn into this universe and am sad that the book is finished. Looking forward to the next season in the set.
I'm becoming so enamoured with Ali Smith's style. This book is so cleverly witty, steeped in UK and global context, and depicts the roles and trends of modern communication technology. All done in a thought provoking way. The characters are vivid and enthralling. Now the long wait for Spring.
Pick up this book. Note how, in the hands of a literary master, no tricks are required. The counterpoint between characters falls exactly when, and as, needed to move the plot. Time moves forward. Time moves backward. I think of Lessing and Drabble.
This book could have had more life in it; more emotionality would have brought these characters to life. Instead I found I could barely distinguish between Charlotte, Sophie or Lux. They were all flat and their laconic speech was unengaging and seemed to me to be inconsequential. The male character, Art, who is related to two of them, appeared to be as ground down as the three women.I was very disappointed. The book received high praise from literary reviewers but not from me.
I like the prose, but with the reservation that it can be elliptical, and illusive. While "Autumn" was pretty clearly about mother/daughter in relationship to the daughter's friend and mentor, "Winter" seems to start with a surreal (or metaphorical) use of the "head" which follows her around, and a pretty straight-forward realistic novel. I found this mixture disconcerting, in that it divides the book into two halves.
A timely post-modern piece, with political undercurrents in Britain and even the US. But too fragmented. Good characters, good scenes, but lacking in momentum. This author's "Autumn" was much better, in the same mode.
Smith is doing a tetraology and Fall was one of my favorites of last fall and I thought this is going to be hard to equal. But Winter I reread as soon as I finished. Among many other delights, this is the best dysfunctional family Christmas novel ever
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