Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

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Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

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Review

Praise for Previous Force Titles: " I have been illustrating professionally for 15 years. I am self taught, meaning I rely upon books and advice from peers. I've always noticed there was some elusive thinking or missing steps from my figure drawings that made them less dynamic. Burne Hogarth's books were very helpful but they didn't teach me how to get into the flow, how to the images Go Pow! This book gives you the direction to feel out these forces and shapes. I used to think that these things couldn't be taught. When Mr. Mattesi's lessons click in your brain, you are truly feeling this power. For me, as an animator, it makes all the difference in the world. " Brian Leblanc

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About the Author

Director of the Entertainment Art Academy based in Southern California. He has been a professional production artist and instructor for almost 20 years with clients including Disney, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, Dreamworks and Nickelodeon.

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Product details

Series: Force Drawing Series

Paperback: 224 pages

Publisher: Focal Press; 1 edition (May 19, 2011)

Language: English

ISBN-10: 9780240814353

ISBN-13: 978-0240814353

ASIN: 0240814355

Product Dimensions:

8 x 0.5 x 11 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#252,463 in Books (See Top 100 in Books)

 The is the third book in the Force series, the other two being Force: Dynamic Life Drawing for Animators and Force: Character Design from Life Drawing.The two earlier books were on drawing humans. In this book, the similar concept of understanding and using force is used, this time for the goal of making animal drawings lively and natural.The book is theory based. It aims to give readers a broader understanding of how force works in animals. With some simple rules, the knowledge can be transferred to drawing other animals.The animals covered are arranged based on their speed, Plantigrades (slow land animals), Digitigrades (intermediate-speed land animals) and unguligrades (fast land animals). Only mammals are covered. There are bears, raccoons, kangaroos, dogs, cats (big ones also), elephants, horses, deers and many more. The section on birds is just a few pages.Mike Mattesi's examples featured are great, you can feel the energy of animals just by looking at their poses and gestures. I would actually recommend getting the first Force book as well to understand the concept of force better.This is a great book for artists who love drawing animals.(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

The original Force and its sequel on character design stand out on my shelf as a pale blue stripe of fantastic drawing instruction. I was excited to see that stripe would be getting a bit wider as Mike Mattesi uses his dynamic approach to drawing to tackle the broad and difficult subject of drawing animals.The author's approach is to translate his method for drawing humans into drawing animals rather than starting fresh. Mattesi's basic principles of hierarchy and forceful drawing are outlined in the opening pages, but I'd recommend you read the original Force before taking on this one.The variety of animals depicted is quite good, especially for a book focusing more on basic forms rather than specific details. The book is divided into the three major structural groups; starting with plantigrade animals, which are built most like humans, following to digitigrades and ungulates.The book is very mammal-centric, however there is a fair sized section on birds and a sole drawing of a lizard gets thrown in for good measure. The drawings range from realistic to exaggerated in design, while all in the dynamic style of the series. The book ends with a gallery of the author's more artistic examples and even has color plate versions in the back.Mattesi's books are a must-have for anyone who wields a pencil. I'd love to have a shelf full of these blue books handling the various aspects of forceful figure drawing. This third book in the series is a big step in that direction.

I really, really like this book. I'd recommend it to anyone who likes Mattesi's method. I took it to a life drawing class with me once and the next thing I knew, everyone was asking to look at it. I actually like to copy drawings from this book in order to get additional practice (on top of incorporating the tips).

There's only a couple character design books out there. Most notably Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels. This new volume of Force takes on design from a more exploratory standpoint. One that can also lead to a foundation of more informed choices when working with Bancroft's methods later on.The text starts off with a review of the drawing techniques Mattesi laid out in the original Force. Not only the concepts of drawing with forceful lines and shapes, but also ensuring every aspect of your drawing make a statement about the subject. It's that thought process that leads to interesting designs.This book has no shortage of examples of experimental designs based off of posed models. Not only from the author, but also from several noted artists including Stephen Silver, Dean Yeagle & Ragnar. Each example includes explainations for the artistic choices made.Flipping through the pages of this book you, you won't find many of the tight, nailed down drawings you might expect from a character design book, but the principles Mattesi teaches build a strong foundation to create better, more interesting designs.

I like how the author compares the human body with animals. It helps make sense of how the legs work. And he covers different types of animals. Their legs and paws work differently depending on the type of animal. And making a comparison to human anatomy helps to clear up confusion about how things are supposed to bend.

This book does more than teach you how to draw animals--it teaches you the theory! As with any drawing book, it is important to read the text, not only look at the pictures, especially because Mattesi explanation of the process of animal drawing is the most valuable feature of the book. Mattesi gives his reader a solid understanding of the spirit of animal drawing, lessons on how different types of animals move, and a basic animal shape which serves as a blueprint for animal drawing. Using this book, a reader can learn the skills to draw any animal in any pose!

The Force Series of books are brilliant pieces of work. They show you a different way to view the figure, a totally different perspective, when trying to draw it. I picked up the humans version first. This one was even more brilliant. Human bodies don't quite react in the same ways animal bodies to to gravity and the opposing forces that create movement in a form. Animals have more curves and bends due to their shape and function. Seeing this made sketching animals so much less confusing, and more simple.Highly Recommended!

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Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

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Get Free Ebook A Burglar's Guide to the City, by Geoff Manaugh

Get Free Ebook A Burglar's Guide to the City, by Geoff Manaugh

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A Burglar's Guide to the City, by Geoff Manaugh

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Amazon.com Review

An Amazon Best Book of April 2016: Geoff Manaugh has written a caper of a book. On one hand, he presents a 2,000-year history of break-ins, heists, and break-outs--a litany of unlikely, bent geniuses and their extraordinary efforts in the service of subverting and outwitting security, their energy often exceeding the requirements of straight-world success. On another, Manaugh draws on the real-world experience and acumen of criminals and security experts alike--as well as his own esoteric architectural sensibility, as seen in his fantastic BLDGBLOG--analyzing structures from the perspectives of would-be breakers-and-enterers--those possessed of a sort of spatial disorder that prevents them from using architecture like the rest of us--and those who would keep them out. Unexpected and engrossing, A Burglar’s Guide to the City will change the way you look at buildings.--Jon Foro

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Review

“This is a marvelous wonder-room of a thing, an intricate, deeply researched, and brilliantly written mad scientist’s tour of crime and how it’s bound to the world we’ve built. Revealing, spectacular, and riveting.” ―Warren Ellis, author of Gun Machine and The Planetary Omnibus“This burglar’s guide isn’t for ordinary smash and grab burglars, it’s for the rest of us―who like to steal in, steal out, and get away with glorious dreams. A spectacularly fun read.” ―Robert Krulwich, co-host of Radiolab“Murphy’s Law―anything that can go wrong will go wrong―is especially true for architecture. Geoff Manaugh’s liaisons with burglars and bank robbers reveal unexplored niches and loopholes in our cities, and through the eyes of urban hackers we find new possibilities for reinterpreting the built environment. A Burglar’s Guide to the City shows that architecture is too important to leave to just the architects.” ―Bjarke Ingels, BIG Architects“Who knew urban studies could be so riveting? Geoff Manaugh excels at finding new, illicit, and fresh angles on a subject as loved as it is overexposed―the city. In his new book, elegant, perverse, sinuous supervillains maneuver and master the city like parkour champions. I see the TV series already.” ―Paola Antonelli, MoMA“Reading Geoff Manaugh is like donning night-vision goggles at the edge of a dark forest―you are suddenly aware of, and alive to, a world that was always there but occluded. A Burglar’s Guide to the City is a crackerjack intellectual caper.” ―Tom Vanderbilt, New York Times bestselling author of You May Also Like and Traffic“Despite its title, Geoff Manaugh's A Burglar's Guide to the City won't teach you how to break into houses. It won't help you outsmart wily cat burglars with ingenious home alarm systems, either. Instead, it explores something a lot weirder and more interesting: Manaugh argues that burglary is built into the fabric of cities and is an inevitable outgrowth of having architecture in the first place.” ―Annalee Newitz, Los Angeles Times“An exhilarating, perspective-shifting read.” ―Patrick Lyons, VICE“For years, Geoff Manaugh has entertained and fascinated us with his BLDGBLOG, and now he's even better at full-length, with A Burglar's Guide to the City, a multidisciplinary, eclectic, voraciously readable book that views architecture, built environments, and cities themselves through the lens of breaking-and-entering... Manaugh's work is characteristically far-ranging and eclectic, and always fascinating... Come for the true crime, stay for the education in architecture and urban planning.” ―Cory Doctorow, Boing Boing“Intriguing... a surprising and fascinating true-crime epic.” ―BBC“I cannot think of a more informed, enthusiastic, and knowledgeable tour guide through the historical and contemporary intersection of burglary and architecture than Geoff Manaugh. A Burglar’s Guide to the City makes disparate connections seem obvious in hindsight, and my worldview is altered a little bit more, and far for the better, as a result.” ―Sarah Weinman, Barnes & Noble Review“Geoff Manaugh’s A Burglar’s Guide to the City gives the realm of architecture the kinetic thrills of a heist film.” ―Alex Bozikovic, The Globe and Mail“Architecture blogger Geoff Manaugh’s fascinating book A Burglar’s Guide to The City posits that our living and working spaces, no matter how seemingly secure, are proving grounds for small-time crooks and sophisticated criminals alike; a smart thief will calibrate his routine based on the way a specific structure is designed. Manaugh’s book locates the spot where architecture and crime intersect.” ―Marc Weingarten, The Guardian“A compelling review of the ingenious ways that burglars negotiate the built environment―and what we can learn from their infrastructural ingenuity.” ―Robbie Gonzalez, Wired“Smart, original... delirious with ideas... it’s hard to argue with Manaugh’s contention that burglary is ‘a new science of the city, proceeding by way of shortcuts, splices, and wormholes.’” ―The Boston Globe“A Burglar’s Guide to the City is a masterpiece of mad ideas, pouring out one after another. The book is one of the most enjoyable volumes of the year.” ―The Washington Free Beacon“Manaugh turns the building world inside out in this fascinating view of the modern city as seen through the eyes of a potential burglar... Readers of this illuminating study will never look at the buildings and cities they live in the same way.” ―Publishers Weekly

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Product details

Paperback: 304 pages

Publisher: FSG Originals (April 5, 2016)

Language: English

ISBN-10: 0374117268

ISBN-13: 978-0374117269

Product Dimensions:

5.1 x 0.8 x 7.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

122 customer reviews

Amazon Best Sellers Rank:

#120,962 in Books (See Top 100 in Books)

Meh. Really sounded like a fascinating concept. But chapter after chapter goes nowhere and doesn't develop any cohesive points. A few interesting anecdotes thrown in here and there, but they are rare bright spots in an otherwise very dull and pedantic, overly long book.

This is a book about how people exploit the architecture and infrastructure of cities to abscond with other people’s property. Manaugh shows us both how the masterminds of burglary think outside the box “Ocean’s Eleven” style, as well as how the dim dull-wits and junkies botch burglaries in hilarious ways. In the process, the author also shines a light on the ways in which the law enforcement community has had to update its technological and tactical capabilities to counter these threats.The book contains seven chapters. The first chapter lays the groundwork, particularly through discussion of the aforementioned extremes. On one hand, there is George Leonidas Leslie, an architect turned bank robber who would build accurate mockups in order to accurately rehearse robberies, and--on the other hand--there is the guy who used a ghillie suit disguise in a rock and mineral museum (which, not unsurprisingly, featured barren rock displays [down-playing vegetation] such that the guy stuck out like a guy in a ghillie suit in a rock display.)Chapter 2 details what Manaugh learned about burglary and the fight against it through his interviews with law enforcement, and—in particular—the Los Angeles Police Department (LAPD) helicopter unit.The next chapter focuses on how different types of buildings are violated by burglars, and apartment burglaries are prominent in the discussion. This isn’t just about how they breach the building, but how they discover when no one will be home.Chapter 4 is entitled “tools of the trade” and it reflects upon the skill-set that Hollywood suggests is associated with burglars—i.e. lock-picking and safe-cracking--but which constitute a less common set of tactics than one might think. Burglars usually favor the messier / quicker approach of busting walls and locks.Chapter 5 deals with a number of issues under the rubric of “inside jobs” but one of the most intriguing is its discussion of those who don’t break in at all, but rather who hide inside the target building awaiting closing time.The penultimate chapter is about that ever-present concern of burglars, the getaway. And sometimes the secret is what Black Widow says in “Captain America: Civil War”: “The first rule of being on the run is walk, don’t run.” The final chapter is a wrap-up, including a conclusion to the George Leonidas Leslie story that was brought up in the first chapter.There are notes and citations at the end of the book. There are no graphics. I think this book could have benefited from graphics. However, the author displayed such skill with language and story-telling that I didn’t seem to notice (or care) at the time of reading. I suspect Manaugh didn’t want to present too much detail for fear of being seen as an actual manual for crime, which this clearly is not.I found this book fascinating, and think you would enjoy it if you have any interests in cities, security, civil engineering, architecture, or just have a healthy curiosity about how buildings and cities work.

I loved the premise and wanted to like the book but the writing was so ... somewhere between mediocre and bad ... I quit reading it about 25% in (and thus never attended the book club meeting that was discussing it). It wasn't grammar/ punctuation/ capitalization/ word choice type of bad writing, but rather an irritating choice of storytelling technique. Actually, it reminds me of those TV shows where before every & after every commercial they repeat the punchline that will be coming up at the end of the show, as if they can't trust the viewer to PAY ATTENTION TO THE STORYLINE long enough to remember on their own (or catch on if coming to the show part way in). Ugh! Don't recommend.A totally different thread is that it did succeed in helping me feel less safe.To his credit, though, many of the ideas and stories were interesting: I simply couldn't talk myself into continuing to suffer his style of storytelling ... which, I suppose, some might actually enjoy. Hey: lucky them.

Not great if you're a true crime buff. A Burglar's Guide to the City reads more like a 300 page architectural history thesis than a book about burglary.I get the idea the author wanted to communicate, that architectural design and burglary are mutually-influential on each other, but that's kind of a nebulous point to make, and not one that anybody would really argue against in the first place.The book is at its best when it's indulging in true crime anecdotes, describing famous burglaries, the burglars who got away with it, and the people who dovetail with either. Unfortunately it drops the ball several times by not paying off some of these anecdotes and just generally over-defining terms.

Like other reviewers here, I was off-put by the tedious writing... and what felt like filler material. As a buyer, I thought this was a great topic. I'm t thinking that's exactly what the writer thought as well. As the topic progressed, I began to sense that there was less to this topic than I had imagined. Similarly, I felt that the writer encountered the same ditch, thus defaulting to fulfilling his writer/deal obligations and getting out of Dodge as cleanly as possible.

As a former professional burglar and architecture enthusiast, I wanted to have more of a roundup of exotic crimes. Instead, we spend a lot of time on mundane things, like ride-alongs with the LAPD helicopter. The prose is often quite overwrought when it's not warranted. As the author says, the truth is that most burglary is mundane and not carried out by master thieves. That's true, but it's also not terribly interesting. Even the parts in which he explores the relationship between the built world and the criminals who find other ways to use it seem flaccid. I would have like more like the first chapter with its false doors and secret warehouses. The modern world has plenty to offer to the crime aficionado too, with all of the digital crime that happens. Digital crime often involves a large amount of breaking and entering, or at least clever distribution of thumb drives. That would have been interesting, had he touched on it. The author references the classic book by Harry Houdini - The Right Way to do Wrong, which sits on my bedstand. It's a much better book about the strange world of crime and expectations.

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Download Ebook The Black Hills expedition of 1875,

Download Ebook The Black Hills expedition of 1875,

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Product details

Unknown Binding: 126 pages

Publisher: Dakota Wesleyan University Press (1975)

Language: English

ASIN: B0006W35TK

Average Customer Review:

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The Black Hills expedition of 1875, PDF
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Ebook Free Wild: From Lost to Found on the Pacific Crest Trail, by Cheryl Strayed

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Wild: From Lost to Found on the Pacific Crest Trail, by Cheryl Strayed

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Review

“Spectacular. . . . A literary and human triumph.” —The New York Times Book Review"I was on the edge of my seat. . . . It is just a wild ride of a read . . . stimulating, thought-provoking, soul-enhancing." —Oprah Winfrey, on Wild, first selection of her Book Club 2.0“Strayed’s language is so vivid, sharp and compelling that you feel the heat of the desert, the frigid ice of the High Sierra, and the breathtaking power of one remarkable woman finding her way—and herself—one brave step at a time.” —People (4 stars)"An addictive, gorgeous book that not only entertains, but leaves us the better for having read it. . . . Strayed is a formidable talent." —The Boston Globe"One of the most original, heartbreaking, and beautiful American memoirs in years. . . . Awe-inspiring." —NPR Books“Cinematic. . . . A rich, riveting story. . . . Our verdict: A.” —Entertainment Weekly“Pretty much obliterated me. I was reduced, during the book’s final third, to puddle-eyed cretinism. . . . As loose and sexy and dark as an early Lucinda Williams song. It’s got a punk spirit and makes an earthy and American sound. . . . The cumulative welling up I experienced during Wild was partly a response to that too infrequent sight: that of a writer finding her voice, and sustaining it, right in front of your eyes.” —Dwight Garner, The New York Times “Brave seems like the right word to sum up this woman and her book. . . . Strayed’s journey is exceptional.” —San Francisco Chronicle“One of the best books I’ve read in the last five or ten years. . . . Wild is angry, brave, sad, self-knowing, redemptive, raw, compelling, and brilliantly written, and I think it’s destined to be loved by a lot of people, men and women, for a very long time.” —Nick Hornby“Devastating and glorious. . . . By laying bare a great unspoken truth of adulthood—that many things in life don’t turn out the way you want them to, and that you can and must live through them anyway—Wild feels real in many ways that many books about ‘finding oneself’ . . . do not.” —Slate“Incisive and telling. . . . [Strayed] has the ineffable gift every writer longs for of saying exactly what she means in lines that are both succinct and poetic. . . . an inborn talent for articulating angst and the gratefulness that comes when we overcome it.” —The Washington Post“Vivid, touching and ultimately inspiring account of a life unraveling and of the journey that put it back together.” —The Wall Street Journal“Strayed . . . catalogs her epic hike . . . with a raw emotional power that makes the book difficult to put down. . . . In walking, and finally, years later, in writing, Strayed finds her way again. And her path is as dazzlingly beautiful as it is tragic.” —Los Angeles Times“A fearless story, told in honest prose that is wildly lyrical as often as it is dirtily physical.” —Minneapolis Star Tribune “This isn’t Cinderella in hiking boots, it’s a woman coming out of heartbreak, darkness and bad decisions with a clear view of where she has been. . . . There are adventures and characters aplenty, from heartwarming to dangerous, but Strayed resists the temptation to overplay or sweeten such moments. Her pacing is impeccable as she captures her impressive journey.” —The Seattle Times“Strayed’s journey was at least as transcendent as it was turbulent. She faced down hunger, thirst, injury, fatigue, boredom, loss, bad weather, and wild animals. Yet she also reached new levels of joy, accomplishment, courage, peace, and found extraordinary companionship.” —The Christian Science Monitor“Strayed writes a crisp scene; her sentences hum with energy. She can describe a trail-parched yearning for Snapple like no writer I know. . . . It becomes impossible not to root for her.” —The Plain Dealer“Brilliant. . . . Cheryl Strayed emerges from her grief-stricken journey as a practitioner of a rare and vital vocation. She has become an intrepid cartographer of the human heart.” —Houston Chronicle“A deeply honest memoir about mother and daughter, solitude and courage, and regaining footing one step at a time.” —Vogue“This is a big, brave, break-your-heart-and-put-it-back-together-again kind of book. Cheryl Strayed is a courageous, gritty, and deceptively elegant writer. She walked the PCT to find forgiveness, came back with generosity—and now she shares her reward with us. I snorted with laughter, I wept uncontrollably; I don’t even want to know the person who isn’t going to love Wild. This is a beautifully made, utterly realized book.” —Pam Houston, author of Contents May Have Shifted and Cowboys are My Weakness

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About the Author

CHERYL STRAYED is the author of the #1 New York Times best seller Wild: From Lost to Found on the Pacific Crest Trail, which was the first selection for Oprah's Book Club 2.0 and became an Oscar-nominated film starring Reese Witherspoon;Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, a national best seller now the basis of the WBUR podcast Dear Sugar Radio, co-hosted with Steve Almond; and Torch, her debut novel. Her books have been translated into forty languages, and her essays and other writings have appeared in numerous publications.

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Product details

Paperback: 315 pages

Publisher: Vintage Books; 1st edition (March 26, 2013)

Language: English

ISBN-10: 0307476073

ISBN-13: 978-0307476074

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

13,425 customer reviews

Amazon Best Sellers Rank:

#1,898 in Books (See Top 100 in Books)

Defective cover, cut too short exposing pages

I actually thought I was going to hate this book. I hated Eat, Pray, Love and this one came up on my list of recommendations after reading that but I gave it a try anyways. I am so glad that I did. This book was nothing like this "you have everything you've ever wanted in life but go try to find something else" books that are so popular these days. Cheryl writes in a way that really made me feel her own pain and her own fears and struggles. She captured grief in a way that I found very relatable. This story is one of failure, of mistakes, of mourning and above all of rising above all of those things to continue to carry on throughout life. I really loved it.

This book is as much about the author's mother dying (and the aftermath) and her dysfunctional life as it is about the hike itself. Fine, that was all very interesting and well written, and I applaud the author for her honesty. After her mother died, I thought, "And who's looking after the family's animals? Horses and dogs and chickens. Pages and pages about her infidelities etc, and her regrets, and mother dying, but nothing about who then went to either re-home or look after the animals.At 49% in the book you find out what happened! The animals have "either died themselves" (no WONDER) and her mother's stunning thoroughbred horse Lady (who had saved her mother's life and been her pride and joy) ended up shot in a botched, agonizing murder by someone (her brother, while she watched on) who had never shot a horse before. Needless to say, the horse did not die straight away but keeled down on her knees in agony in a slow death.If the book had dedicated as many pages to the author's regret and disgust at these actions and the part she played, and a begging for forgiveness, I could have understood (maybe). But, no. It seemed that the author didn't agonize over this at all. Just mentioned it, as if she were blameless. As if she were the victim! Doing the one thing that would have BROKEN HER MOTHER'S HEART!A woman who had enough money to buy heroine but not enough to at least pay for a vet (and how about at least TRYING to re-home Lady or send her to a refuge? Not even mentioned.And all these readers, too, who have adored this book, did this not bother you?How sad this world we live in when shooting a horse who has been abandoned and mistreated by self-absorbed, selfish people seems to go completely unnoticed. If it is accepted so readily in this book, no wonder there is so much animal abuse out there.

There is something fascinating about the idea of going far away from everything and everyone you know, being alone in the world, and searching for who you really are in a setting where the only expectations are those you impose upon yourself. This is what Cheryl Strayed did in Wild: From Lost to Found on the Pacific Crest Trail. One of the things she discovered is that the impulsivity and lack of direction which plagued her in her "real" life dogged her as she trekked the Pacific Crest Trail. She was both woefully unprepared for the challenges of the trail and almost laughably overprepared with a backpack that was, by her estimation, half her own weight.Fortunately, Cheryl met some good Samaritans along the way who helped to educate her in the art and science of backpacking and assisted her in editing the contents of her backpack to a more reasonable and sustainable level. She wrote frankly about her mistakes, miscalculations, and mishaps as she slowly made her way northward through the Mojave Desert to the Sierra Nevada mountain range (most of which she bypassed by hitchhiking because of record snowfall that year) and all the way up to the Bridge of the Gods at the Oregon/Washington border.As for the book itself, this is one of the few times I would recommend seeing the movie before reading the book, simply because the book is long and somewhat dense and if the movie doesn't appeal to you, the book probably won't, either. I enjoyed both the descriptions of the beauty and difficulty of hiking such a long way as well as the flashbacks of Cheryl's life before and how she came to make the decision - impulsively, as always - to take on this journey. She did educate herself about the gear she would need, apparently overly so, since she ended up with so much in her backpack she had to sit down, strap on the backpack, then get up on all fours and gradually move herself into a semi-upright position. However, although she bought a book about hiking the trail as well as one on navigating with a compass, she apparently just skimmed the first book and although she intended to read the second book on the plane from Minnesota to California, she did not do so. In fact, she didn't read the navigation book until she was actually lost, at which time she discovered she really didn't understand either the language or the principles the book contained.I will admit, the most difficult thing about reading this book besides its length and the density of the prose was dealing with Cheryl's character. I can only assume she was being honest about herself, since I don't believe anyone would portray themselves in such a negative light if it weren't the truth. Besides being heedless and impulsive, Cheryl betrayed, over and over again, a husband who seems to have had almost unlimited patience and love for her, even after their divorce. The loss of a loved one, especially one as close as Cheryl and her mother were, can cause people to react in strange and sometimes self-destructive ways. The best thing Cheryl did was to take herself out of the environment she was in and away from the temptations she found irresistible. But you know the old saying: Wherever you go, there you are. Cheryl was Cheryl, whether in Minnesota or on the PCT. The one thing she did do while on the trail was resist, almost to the very end, her rampant libido.I am glad I read this book. In a way, it reminds me of books I read years ago about people who had moved far away from civilization to live off the land. That, too, is an attractive and romantic prospect until you factor in the backbreaking labor involved. Most of the characters in those books were infinitely easier to like but far less memorable. Cheryl is certainly someone I will never forget

I hesitated to read this book based on some reviews, was the author really running away from her troubles, is she worth paying attention to?Yes.Though I have hiked and backpacked some, and now with two young children it's challenging to go out, it made me want to do the same hike. Not for her reasons, but because every human has their own complicated life to contemplate away from civilization.In a wonderful prose she describes the trail, her past, her present and is achingly honest with the reader. The beauty and the ugliness, of both the wilderness and herself. You learn what drives her, her doubts, and those tiny moments she decides to keep going. How a thousand mile journey begins before the first step, how each step is brutal, and the transformation each step bestows.Wonderful read and will recommend it to my children when they doubt themselves. Or even when they achieve something. Ultimately, a great book that draws you in and stays with you.

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Wild: From Lost to Found on the Pacific Crest Trail, by Cheryl Strayed PDF

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PDF Ebook , by Sandhya Menon

PDF Ebook , by Sandhya Menon

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Product details

File Size: 7273 KB

Print Length: 53 pages

Publisher: Simon Pulse (April 30, 2019)

Publication Date: April 30, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07ND3KC6X

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Get Free Ebook Beginning Direct3D Game Programming, Second Edition

Get Free Ebook Beginning Direct3D Game Programming, Second Edition

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About the Author

Wolfgang Engel is CEO of SoftGroup GmbH and SoftGroup Plska, which offer IT and game development services. These companies produce 3D animations for marketing and advertising activities. Wolfgang holds lectures and workshops on Direct3D programming worldwide and writes tutorials on Direct3D which are presented at www.GameDev.net as well as his own Web site, www.directxgraphics.net. He is the author of "Beginning Direct3D Game Programming" (0761531912).

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Product details

Series: Game Programming

Paperback: 440 pages

Publisher: Muska & Lipman/Premier-Trade; 2nd edition (June 12, 2003)

Language: English

ISBN-10: 193184139X

ISBN-13: 978-1931841399

Product Dimensions:

7.2 x 1 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#6,130,015 in Books (See Top 100 in Books)

DirectX is difficult to master. Even drilling down into just D3D is exceptionally challenging for most students. I have been looking for a DX book to use on an undergraduate course and in the process I have reviewd a few. While most books have something to offer few have drawn the whole of any of the DX modules together. Given the standard of the SDK documentation there is a clear need for good textbooks. My reaction to the present text is that it is very unsutiable for beginners. In the first place, it is not well written. Secondly,some of the code is way beyond what beginners could grasp and there is very little hand holding to reassure pedagogues like me. Thirdly, the material of matrices could do with being looked at again. However, it is not all gloom. The chapter on animation is really very good and well worth spending the time on.All too frequently we see computer programming texts come out without proper regard for the readership. Occasionally the reading public have the right to expect publishers to get material out there that was written to be read by others. I don't blame the authors, but the publishers who don't put enough editorial weight behind their offerings. I have no doubt but that this book could have been a much more useful book with appropriate editorial input. May be the 3rd edition will be.

This Book focuses on DirectX applications. if you ever tried writting your own vertices , planes ,....etc. this is the book you need to use the already built in features of Direct-X , even if you are an OPEN_GL programmer. i mixed the structures and data types in DirectX with the existing Open GL programs to reduce the code. i feel sorry i did not read this book before, it is like reading the mind of a graphics programmer and tell you what you need in the next page. i recommend this book for any one started programming 3D and wants to make a quick advance or wants to modify the macaroni codes he created and wants to simplify it extreamly and get a better performance (both Direct3D or Open GL).reagrdsJunk Man

This book covers the usage of DirectX 9.0. Note, this book is not a cook-book type book where it tells you how to program a game in DirectX 9.0.I would not buy this book again (ie future version/revision).

I've been waiting a long time for a book like this. I'm a Unix software developer by profession, but only a hobbyist when it comes to PC game programming. Back in the good old days, before Windows and DirectX/DirectWhatever, it was possible for us casual programmers to keep up with the technology and have fun experimenting with graphics and game programming. I simply lost interest when the complexity of the operating system and video hardware started getting in the way.I've been searching for a good book on Direct3D graphics programming for years and finally found one that delivers what it promises. Wolfgang Engel, the author, obviously understands how frustrating the learning process can be. The content of this book is masterfully structured to give the reader a solid understanding of everything you need to know. It's friendly, informal, humorous, and focused. It's a big book, but it reads fast, and keeps you interested.The author assumes you know C and maybe a little C++. That's about the only prerequisite you'll need to understand the material

This is a great book with which to learn directx 9; it introduces the new shader abilities of directx. the only downside is that this book is only useful if you have a good background in C programming or better yet c++, not to mention the fact that this 2nd edition doesn't have the original chapters from the 1st edition about physics and collision detection by Amir Geva. if you know C, this is the book for you if you want to get started with direct3D without delving too deep into windows programming and general directx programming

I am a totally beginning programmer, I've only taken 1 & 1/2 programming classes so far. Like the guy below me said, it isn't enough to write a game, but it's gives you a good enough understand to start your own valuable research on the topic. The author lists many really good sites to start with. Also, the section on setting up your compiler is CRUCIAL and I have never been able to get it working before now. The cd as well has some good stuff on it.

This is THE shader programming introduction from the expert ! Don't miss it. Just playing around with the numerous example programs is fun. In one of the examples you can fly around with two space ships ... both are turned with a quaternion.If you see the shader driven character engine, your yaw will drop like mine.Grab it, buy it, read it. This one maximizes your direct3d knowledge.

This is the best introduction to Direct3D that I've seen in a book. Engel starts from the gound up, starting from very basic examples to a full-blown character engine with vertex and pixel shader support.My advice: A must to any c++ programmer who wants to start programming games.

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Ebook Jesus and Spiral of Violence (Facets), by Richard A. Horsley

Ebook Jesus and Spiral of Violence (Facets), by Richard A. Horsley

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Jesus and Spiral of Violence (Facets), by Richard A. Horsley

Ebook Jesus and Spiral of Violence (Facets), by Richard A. Horsley

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Product details

Series: Facets

Paperback: 372 pages

Publisher: Fortress Press; 1st Fortress Press ed edition (January 1, 1993)

Language: English

ISBN-10: 0800627105

ISBN-13: 978-0800627102

Product Dimensions:

5.5 x 0.8 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,431,781 in Books (See Top 100 in Books)

The Romans, much like other occupation forces in history, ( take your pick Mongols, Huns, Nazi of the contemporary era ) had a very simple economic plan for the subjugated populace..... produce wealth for the conqueror or suffer the consequences. That really has nothing to do with the Marxist didactic ( although I do understand how a " faith " based analysis would have trouble with that line of reasoning ).

Richard A. Horsley has added his voice to the question asked By Jesus{and thereafter history}:"Who do you say that I am?"He takes a slightly differt tack here,viewing Jesus in terms of the popular historical movements of his time,starting with the obvious fact of domination of a foriegn power,and the resulting lifestyles of an occupied people. After{quite interestingly}disecting the Romans and their slave perpetuated economy, he turns to Jewish non violent resistance, Messianic movements social community{including,a fascinating discussion on the half shekel temple tax},and eventually, a short concluding chapter on Jesus and Social revolution. This is a very well researched,well written study{though Im am not certain that all of the leaps are justified}Another inetesting book to the canon.As for the accusation that this is a Jesus for the secular left,I have found that whatever your political leanings are, one tends to attach them to Jesus. This ,though seems obvious to most, Jesus was poor, his friends and family were poor, most of his assocaites were poor,and almost everyone who initially heard His message were poor. That this sudy ,then would approach Jesus from the side of poor outcasts of that time living a under a brutal occupying force adminstered by viscious sycophants is not surprising.Not definitive, of course, simply another side to the story.

Professor Horsley delves behind the Christ of faith to look more closely at the historical Jesus, within his first century, Palestinian social, political and religious context. Horsley argues that far from being the innocent victim of illegitimate charges made against him by an unholy alliance of Jewish religious and Roman political authorities, Jesus was a very real threat to the ruling institutions.At least from the perspective of the social, political and religious elite, Jesus was a dangerous figure worthy of condemnation in order to maintain the Pax Romana. His radical preaching and practice of the immediate presence of the Kingdom of God implied that no other kingdom and no other authorities could justifiably be obeyed. "A slave cannot serve two masters..."For those interested in studying serious Christology, or the social and historical context of the earliest elements of the Jesus movement, this can be a valuable book.For those who wish to maintain the uninformed innocence of a Sunday School faith, this book should be avoided. Horsley is much too honest to be safe.

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