Sabtu, 16 Agustus 2014

Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

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Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)


Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)


Download Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

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Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series)

Review

Praise for Previous Force Titles: " I have been illustrating professionally for 15 years. I am self taught, meaning I rely upon books and advice from peers. I've always noticed there was some elusive thinking or missing steps from my figure drawings that made them less dynamic. Burne Hogarth's books were very helpful but they didn't teach me how to get into the flow, how to the images Go Pow! This book gives you the direction to feel out these forces and shapes. I used to think that these things couldn't be taught. When Mr. Mattesi's lessons click in your brain, you are truly feeling this power. For me, as an animator, it makes all the difference in the world. " Brian Leblanc

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About the Author

Director of the Entertainment Art Academy based in Southern California. He has been a professional production artist and instructor for almost 20 years with clients including Disney, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, Dreamworks and Nickelodeon.

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Product details

Series: Force Drawing Series

Paperback: 224 pages

Publisher: Focal Press; 1 edition (May 19, 2011)

Language: English

ISBN-10: 9780240814353

ISBN-13: 978-0240814353

ASIN: 0240814355

Product Dimensions:

8 x 0.5 x 11 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#252,463 in Books (See Top 100 in Books)

 The is the third book in the Force series, the other two being Force: Dynamic Life Drawing for Animators and Force: Character Design from Life Drawing.The two earlier books were on drawing humans. In this book, the similar concept of understanding and using force is used, this time for the goal of making animal drawings lively and natural.The book is theory based. It aims to give readers a broader understanding of how force works in animals. With some simple rules, the knowledge can be transferred to drawing other animals.The animals covered are arranged based on their speed, Plantigrades (slow land animals), Digitigrades (intermediate-speed land animals) and unguligrades (fast land animals). Only mammals are covered. There are bears, raccoons, kangaroos, dogs, cats (big ones also), elephants, horses, deers and many more. The section on birds is just a few pages.Mike Mattesi's examples featured are great, you can feel the energy of animals just by looking at their poses and gestures. I would actually recommend getting the first Force book as well to understand the concept of force better.This is a great book for artists who love drawing animals.(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

The original Force and its sequel on character design stand out on my shelf as a pale blue stripe of fantastic drawing instruction. I was excited to see that stripe would be getting a bit wider as Mike Mattesi uses his dynamic approach to drawing to tackle the broad and difficult subject of drawing animals.The author's approach is to translate his method for drawing humans into drawing animals rather than starting fresh. Mattesi's basic principles of hierarchy and forceful drawing are outlined in the opening pages, but I'd recommend you read the original Force before taking on this one.The variety of animals depicted is quite good, especially for a book focusing more on basic forms rather than specific details. The book is divided into the three major structural groups; starting with plantigrade animals, which are built most like humans, following to digitigrades and ungulates.The book is very mammal-centric, however there is a fair sized section on birds and a sole drawing of a lizard gets thrown in for good measure. The drawings range from realistic to exaggerated in design, while all in the dynamic style of the series. The book ends with a gallery of the author's more artistic examples and even has color plate versions in the back.Mattesi's books are a must-have for anyone who wields a pencil. I'd love to have a shelf full of these blue books handling the various aspects of forceful figure drawing. This third book in the series is a big step in that direction.

I really, really like this book. I'd recommend it to anyone who likes Mattesi's method. I took it to a life drawing class with me once and the next thing I knew, everyone was asking to look at it. I actually like to copy drawings from this book in order to get additional practice (on top of incorporating the tips).

There's only a couple character design books out there. Most notably Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels. This new volume of Force takes on design from a more exploratory standpoint. One that can also lead to a foundation of more informed choices when working with Bancroft's methods later on.The text starts off with a review of the drawing techniques Mattesi laid out in the original Force. Not only the concepts of drawing with forceful lines and shapes, but also ensuring every aspect of your drawing make a statement about the subject. It's that thought process that leads to interesting designs.This book has no shortage of examples of experimental designs based off of posed models. Not only from the author, but also from several noted artists including Stephen Silver, Dean Yeagle & Ragnar. Each example includes explainations for the artistic choices made.Flipping through the pages of this book you, you won't find many of the tight, nailed down drawings you might expect from a character design book, but the principles Mattesi teaches build a strong foundation to create better, more interesting designs.

I like how the author compares the human body with animals. It helps make sense of how the legs work. And he covers different types of animals. Their legs and paws work differently depending on the type of animal. And making a comparison to human anatomy helps to clear up confusion about how things are supposed to bend.

This book does more than teach you how to draw animals--it teaches you the theory! As with any drawing book, it is important to read the text, not only look at the pictures, especially because Mattesi explanation of the process of animal drawing is the most valuable feature of the book. Mattesi gives his reader a solid understanding of the spirit of animal drawing, lessons on how different types of animals move, and a basic animal shape which serves as a blueprint for animal drawing. Using this book, a reader can learn the skills to draw any animal in any pose!

The Force Series of books are brilliant pieces of work. They show you a different way to view the figure, a totally different perspective, when trying to draw it. I picked up the humans version first. This one was even more brilliant. Human bodies don't quite react in the same ways animal bodies to to gravity and the opposing forces that create movement in a form. Animals have more curves and bends due to their shape and function. Seeing this made sketching animals so much less confusing, and more simple.Highly Recommended!

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Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF
Force: Animal Drawing: Animal locomotion and design concepts for animators (Force Drawing Series) PDF

Sabtu, 09 Agustus 2014

Get Free Ebook A Burglar's Guide to the City, by Geoff Manaugh

Get Free Ebook A Burglar's Guide to the City, by Geoff Manaugh

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A Burglar's Guide to the City, by Geoff Manaugh

A Burglar's Guide to the City, by Geoff Manaugh


A Burglar's Guide to the City, by Geoff Manaugh


Get Free Ebook A Burglar's Guide to the City, by Geoff Manaugh

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A Burglar's Guide to the City, by Geoff Manaugh

Amazon.com Review

An Amazon Best Book of April 2016: Geoff Manaugh has written a caper of a book. On one hand, he presents a 2,000-year history of break-ins, heists, and break-outs--a litany of unlikely, bent geniuses and their extraordinary efforts in the service of subverting and outwitting security, their energy often exceeding the requirements of straight-world success. On another, Manaugh draws on the real-world experience and acumen of criminals and security experts alike--as well as his own esoteric architectural sensibility, as seen in his fantastic BLDGBLOG--analyzing structures from the perspectives of would-be breakers-and-enterers--those possessed of a sort of spatial disorder that prevents them from using architecture like the rest of us--and those who would keep them out. Unexpected and engrossing, A Burglar’s Guide to the City will change the way you look at buildings.--Jon Foro

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Review

“This is a marvelous wonder-room of a thing, an intricate, deeply researched, and brilliantly written mad scientist’s tour of crime and how it’s bound to the world we’ve built. Revealing, spectacular, and riveting.” ―Warren Ellis, author of Gun Machine and The Planetary Omnibus“This burglar’s guide isn’t for ordinary smash and grab burglars, it’s for the rest of us―who like to steal in, steal out, and get away with glorious dreams. A spectacularly fun read.” ―Robert Krulwich, co-host of Radiolab“Murphy’s Law―anything that can go wrong will go wrong―is especially true for architecture. Geoff Manaugh’s liaisons with burglars and bank robbers reveal unexplored niches and loopholes in our cities, and through the eyes of urban hackers we find new possibilities for reinterpreting the built environment. A Burglar’s Guide to the City shows that architecture is too important to leave to just the architects.” ―Bjarke Ingels, BIG Architects“Who knew urban studies could be so riveting? Geoff Manaugh excels at finding new, illicit, and fresh angles on a subject as loved as it is overexposed―the city. In his new book, elegant, perverse, sinuous supervillains maneuver and master the city like parkour champions. I see the TV series already.” ―Paola Antonelli, MoMA“Reading Geoff Manaugh is like donning night-vision goggles at the edge of a dark forest―you are suddenly aware of, and alive to, a world that was always there but occluded. A Burglar’s Guide to the City is a crackerjack intellectual caper.” ―Tom Vanderbilt, New York Times bestselling author of You May Also Like and Traffic“Despite its title, Geoff Manaugh's A Burglar's Guide to the City won't teach you how to break into houses. It won't help you outsmart wily cat burglars with ingenious home alarm systems, either. Instead, it explores something a lot weirder and more interesting: Manaugh argues that burglary is built into the fabric of cities and is an inevitable outgrowth of having architecture in the first place.” ―Annalee Newitz, Los Angeles Times“An exhilarating, perspective-shifting read.” ―Patrick Lyons, VICE“For years, Geoff Manaugh has entertained and fascinated us with his BLDGBLOG, and now he's even better at full-length, with A Burglar's Guide to the City, a multidisciplinary, eclectic, voraciously readable book that views architecture, built environments, and cities themselves through the lens of breaking-and-entering... Manaugh's work is characteristically far-ranging and eclectic, and always fascinating... Come for the true crime, stay for the education in architecture and urban planning.” ―Cory Doctorow, Boing Boing“Intriguing... a surprising and fascinating true-crime epic.” ―BBC“I cannot think of a more informed, enthusiastic, and knowledgeable tour guide through the historical and contemporary intersection of burglary and architecture than Geoff Manaugh. A Burglar’s Guide to the City makes disparate connections seem obvious in hindsight, and my worldview is altered a little bit more, and far for the better, as a result.” ―Sarah Weinman, Barnes & Noble Review“Geoff Manaugh’s A Burglar’s Guide to the City gives the realm of architecture the kinetic thrills of a heist film.” ―Alex Bozikovic, The Globe and Mail“Architecture blogger Geoff Manaugh’s fascinating book A Burglar’s Guide to The City posits that our living and working spaces, no matter how seemingly secure, are proving grounds for small-time crooks and sophisticated criminals alike; a smart thief will calibrate his routine based on the way a specific structure is designed. Manaugh’s book locates the spot where architecture and crime intersect.” ―Marc Weingarten, The Guardian“A compelling review of the ingenious ways that burglars negotiate the built environment―and what we can learn from their infrastructural ingenuity.” ―Robbie Gonzalez, Wired“Smart, original... delirious with ideas... it’s hard to argue with Manaugh’s contention that burglary is ‘a new science of the city, proceeding by way of shortcuts, splices, and wormholes.’” ―The Boston Globe“A Burglar’s Guide to the City is a masterpiece of mad ideas, pouring out one after another. The book is one of the most enjoyable volumes of the year.” ―The Washington Free Beacon“Manaugh turns the building world inside out in this fascinating view of the modern city as seen through the eyes of a potential burglar... Readers of this illuminating study will never look at the buildings and cities they live in the same way.” ―Publishers Weekly

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Product details

Paperback: 304 pages

Publisher: FSG Originals (April 5, 2016)

Language: English

ISBN-10: 0374117268

ISBN-13: 978-0374117269

Product Dimensions:

5.1 x 0.8 x 7.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

122 customer reviews

Amazon Best Sellers Rank:

#120,962 in Books (See Top 100 in Books)

Meh. Really sounded like a fascinating concept. But chapter after chapter goes nowhere and doesn't develop any cohesive points. A few interesting anecdotes thrown in here and there, but they are rare bright spots in an otherwise very dull and pedantic, overly long book.

This is a book about how people exploit the architecture and infrastructure of cities to abscond with other people’s property. Manaugh shows us both how the masterminds of burglary think outside the box “Ocean’s Eleven” style, as well as how the dim dull-wits and junkies botch burglaries in hilarious ways. In the process, the author also shines a light on the ways in which the law enforcement community has had to update its technological and tactical capabilities to counter these threats.The book contains seven chapters. The first chapter lays the groundwork, particularly through discussion of the aforementioned extremes. On one hand, there is George Leonidas Leslie, an architect turned bank robber who would build accurate mockups in order to accurately rehearse robberies, and--on the other hand--there is the guy who used a ghillie suit disguise in a rock and mineral museum (which, not unsurprisingly, featured barren rock displays [down-playing vegetation] such that the guy stuck out like a guy in a ghillie suit in a rock display.)Chapter 2 details what Manaugh learned about burglary and the fight against it through his interviews with law enforcement, and—in particular—the Los Angeles Police Department (LAPD) helicopter unit.The next chapter focuses on how different types of buildings are violated by burglars, and apartment burglaries are prominent in the discussion. This isn’t just about how they breach the building, but how they discover when no one will be home.Chapter 4 is entitled “tools of the trade” and it reflects upon the skill-set that Hollywood suggests is associated with burglars—i.e. lock-picking and safe-cracking--but which constitute a less common set of tactics than one might think. Burglars usually favor the messier / quicker approach of busting walls and locks.Chapter 5 deals with a number of issues under the rubric of “inside jobs” but one of the most intriguing is its discussion of those who don’t break in at all, but rather who hide inside the target building awaiting closing time.The penultimate chapter is about that ever-present concern of burglars, the getaway. And sometimes the secret is what Black Widow says in “Captain America: Civil War”: “The first rule of being on the run is walk, don’t run.” The final chapter is a wrap-up, including a conclusion to the George Leonidas Leslie story that was brought up in the first chapter.There are notes and citations at the end of the book. There are no graphics. I think this book could have benefited from graphics. However, the author displayed such skill with language and story-telling that I didn’t seem to notice (or care) at the time of reading. I suspect Manaugh didn’t want to present too much detail for fear of being seen as an actual manual for crime, which this clearly is not.I found this book fascinating, and think you would enjoy it if you have any interests in cities, security, civil engineering, architecture, or just have a healthy curiosity about how buildings and cities work.

I loved the premise and wanted to like the book but the writing was so ... somewhere between mediocre and bad ... I quit reading it about 25% in (and thus never attended the book club meeting that was discussing it). It wasn't grammar/ punctuation/ capitalization/ word choice type of bad writing, but rather an irritating choice of storytelling technique. Actually, it reminds me of those TV shows where before every & after every commercial they repeat the punchline that will be coming up at the end of the show, as if they can't trust the viewer to PAY ATTENTION TO THE STORYLINE long enough to remember on their own (or catch on if coming to the show part way in). Ugh! Don't recommend.A totally different thread is that it did succeed in helping me feel less safe.To his credit, though, many of the ideas and stories were interesting: I simply couldn't talk myself into continuing to suffer his style of storytelling ... which, I suppose, some might actually enjoy. Hey: lucky them.

Not great if you're a true crime buff. A Burglar's Guide to the City reads more like a 300 page architectural history thesis than a book about burglary.I get the idea the author wanted to communicate, that architectural design and burglary are mutually-influential on each other, but that's kind of a nebulous point to make, and not one that anybody would really argue against in the first place.The book is at its best when it's indulging in true crime anecdotes, describing famous burglaries, the burglars who got away with it, and the people who dovetail with either. Unfortunately it drops the ball several times by not paying off some of these anecdotes and just generally over-defining terms.

Like other reviewers here, I was off-put by the tedious writing... and what felt like filler material. As a buyer, I thought this was a great topic. I'm t thinking that's exactly what the writer thought as well. As the topic progressed, I began to sense that there was less to this topic than I had imagined. Similarly, I felt that the writer encountered the same ditch, thus defaulting to fulfilling his writer/deal obligations and getting out of Dodge as cleanly as possible.

As a former professional burglar and architecture enthusiast, I wanted to have more of a roundup of exotic crimes. Instead, we spend a lot of time on mundane things, like ride-alongs with the LAPD helicopter. The prose is often quite overwrought when it's not warranted. As the author says, the truth is that most burglary is mundane and not carried out by master thieves. That's true, but it's also not terribly interesting. Even the parts in which he explores the relationship between the built world and the criminals who find other ways to use it seem flaccid. I would have like more like the first chapter with its false doors and secret warehouses. The modern world has plenty to offer to the crime aficionado too, with all of the digital crime that happens. Digital crime often involves a large amount of breaking and entering, or at least clever distribution of thumb drives. That would have been interesting, had he touched on it. The author references the classic book by Harry Houdini - The Right Way to do Wrong, which sits on my bedstand. It's a much better book about the strange world of crime and expectations.

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