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The Contemporary Arranger: Comb Bound Book, by Don Sebesky
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An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orche
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Product details
Plastic Comb: 252 pages
Publisher: Alfred Music; Book only edition (April 1, 1984)
Language: English
ISBN-10: 0882844857
ISBN-13: 978-0882844855
Product Dimensions:
9.8 x 1 x 12.2 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#289,016 in Books (See Top 100 in Books)
This book contains excellent, time-tested information on how to score for various instrument families, and what philosophical approaches can be used as an arranger. All these strategies are still applicable in today’s modern music. However, this book is noticeably dated, with sections devoted to 20-track recording, LCR mixing, and no mention of DAWs. While new tech does not drastically change arranging principles that have been true for many years, technological advancements have certainly created more textural options, and should be discussed.
Great information and a cool look into how Sebesky likes to orchestrate. It goes beyond just big band into more diverse ensembles. Not much here in terms of basic arranging so it isn't the best choice for beginners (not what the book is about).
This is one of the best books if you are interested in music writing and orchestration. Also check Rimsky-Korsakov's, Mancini's and a couple of Berklee Press ones.
Don spent his life thinking and talking music and arranging. Reading this book is like spending a few evenings talking to him.
My son who is a Graduate Student in jazz at a top university loves this book. He somehow "lost" -- probably someone borrowed -- his original copy of this book and he needed it for reference so we bought a 2nd copy.
This is a great book if you are a serious studentOf arranging and orchestrationA must have for professionals only
This book is the best one I have yet seen on the art of arranging for jazz bands and other contemporary/pop ensembles. It is full from beginning to end not only with all the standard info about instrument ranges, which instruments sound best in which voicings, etc., but also full of interesting little gems designed to inform the budding arranger about the realities of the music industry. Things like "All professional trumpet players carry with them a straight mute, cup mute, harmon mute, felt hat, and sometimes a plunger. Any other special mutes must be requested in advance of a performance or recording session" (page 13). Also tips on how best to record particular instruments in the studio, and things to look out for in this regard. "Of all the members of the woodwind family, the bassoon is the hardest to record properly, having the tendency to become lost when combined with other instruments.... it... is most effective when the texture of the passage in which it is used is transparent enough for the bassoon to be heard clearly."To all of those reviewers at this site and the other page for this book, the CD *does* in fact match the examples in the book. The book specifies between regular written examples (not included on the CD), and *recorded examples*, which are on the CD. The listing on pages viii and ix accurately reflect the listing on the CD and the appropriate text in the book that matches each example.The examples of various sounds possible on the stringed instruments and the French horn, are particularly helpful in matching up the standard musical terms "detache," "parlando," etc. with that particular sound.Overall, an excellent book both for beginners and folks with some background who are looking to expand into jazz-style sounds.
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